<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>Song Parts Dot Biz</title><generator>Tumblr (3.0; @songparts)</generator><link>http://songparts.biz/</link><item><title>What About It?
(Malkmus gets all interrogative in...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/318405182/tumblr_kvseamMZwX1qzde3y&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;What About It?&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(Malkmus gets all interrogative in Pavement’s “Stereo”)&lt;/i&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;b&gt;MALKMUS:&lt;/b&gt;&lt;br/&gt;What about the voice of Geddy Lee?&lt;br/&gt;How did it get so high?&lt;br/&gt;I wonder if he speaks like an ordinary guy.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;BOB:&lt;/b&gt;&lt;br/&gt;I know him. And, he does!&lt;/p&gt;
&lt;p&gt;&lt;b&gt;MALKMUS:&lt;/b&gt;&lt;br/&gt;Then, you’re my fact-checkin’ cuz.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;BOB:&lt;/b&gt;&lt;br/&gt;&lt;i&gt;(Awww….)&lt;/i&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It’s Bob’s barely audible &lt;i&gt;Awww…&lt;/i&gt; that makes it. Delightful.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $7.00 (Pricier than the whole track, we know! But be honest, the song’s fine, but this ‘Part is better than the song that contains it.)&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;First reported at &lt;a href="http://www.kungfugrippe.com/post/318329245/pavement-stereo-1997-malkmus-what"&gt;kung fu grippe&lt;/a&gt;.&lt;/p&gt;</description><link>http://songparts.biz/post/318405182</link><guid>http://songparts.biz/post/318405182</guid><pubDate>Tue, 05 Jan 2010 13:35:00 -0500</pubDate></item><item><title>Can’t Hardly Wait
(Arena suprema with Jon Bon and...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/228102113/tumblr_ksc9oetl1S1qzde3y&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Can’t Hardly Wait&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(Arena suprema with Jon Bon and “Livin’ on a Prayer”)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;If we asked you what happened in these few seconds of superanthem, you’d likely say, “key change.” You would be correct. And if that’s all they did, it would be just like the dozens of other pop songs that use that classic trick to squeeze a few more drops of energy out of a chorus.&lt;/p&gt;
&lt;p&gt;But did you hear the other thing? They’re SO EXCITED to play this song, and to KICK IT OUT, that they just skip a fucking beat. The last measure before the key change only has three beats. And in doing that, they’re shouting LET’S GO, PEOPLE, GET ON WITH IT, LET’S LIVE HARD.&lt;/p&gt;
&lt;p&gt;So here’s JBJ’s (and our) advice to you: if you’re excited about something, sometimes it’s OK to skip a beat. Don’t wait for dessert to arrive before you propose to her. Get in the hot tub with your pants on. Retire at 54. Submit the short story before you get your MFA. Hit the streets of Madrid before you’ve read the guidebook. Tell your best joke first.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;&lt;b&gt;Price: $.25&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/228102113</link><guid>http://songparts.biz/post/228102113</guid><pubDate>Fri, 30 Oct 2009 13:53:00 -0400</pubDate></item><item><title>Okay, weirdo. Wait, are you mocking me?
(Joni Mitchell spazzes...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/164592764/tumblr_koi52tOJeT1qzde3y&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Okay, weirdo. Wait, are you mocking me?&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(Joni Mitchell spazzes out and fake laughs(?) at the end of “Big Yellow Taxi”)&lt;/i&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/parkinglothaha.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.04&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Added to the SongParts OutTakes Collection from &lt;a href="http://stoppodcastingyourself.blogspot.com/"&gt;Dave Shumka’s Crates &amp; Bins&lt;/a&gt;.&lt;/p&gt;</description><link>http://songparts.biz/post/164592764</link><guid>http://songparts.biz/post/164592764</guid><pubDate>Sun, 16 Aug 2009 23:44:00 -0400</pubDate></item><item><title>L’Ooh Ooh Ooh Ooh
(la meilleure partie de ”Ça plane...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/164160359/tumblr_kogkou7Tev1qzde3y&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;L’Ooh Ooh Ooh Ooh&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(la meilleure partie de ”Ça plane pour moi” de Plastic Bertrand)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;♪ Blein blein!&lt;br/&gt; ce tais peur te votre cannes&lt;br/&gt; mis mois!&lt;br/&gt; le taix peu vrai votre somme,&lt;br/&gt;coulet chou, cotre autre ton les poux…&lt;br/&gt; quatre valet vous caichout…&lt;br/&gt; [THE BEST PART] ♫&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/oohoohoohooh.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: €.08&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/164160359</link><guid>http://songparts.biz/post/164160359</guid><pubDate>Sun, 16 Aug 2009 10:00:00 -0400</pubDate></item><item><title>Please, Kenny Don’t Hurt ‘Em
(The Panty-wetter solo...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/163151755/tumblr_koe5ss5ahP1qzde3y&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Please, Kenny Don’t Hurt ‘Em&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(The Panty-wetter solo in “Songbird” by the Maestro Kenny G)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;You say name one soprano sax solo in the history of recorded music that is &lt;i&gt;guaranteed&lt;/i&gt; to make a special lady’s water break. I tell you to put on this song and »» to the end, where Kenny displays a mastery of fingerblasting like the world has never heard. Go ahead, I’ll wait. We’re not allowed to listen to this track at the SongParts offices anymore. (Carpet cleaning bills got ridiculous.)&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/songbirdsolo.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: No longer available. Too sexy.&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/163151755</link><guid>http://songparts.biz/post/163151755</guid><pubDate>Fri, 14 Aug 2009 20:10:00 -0400</pubDate></item><item><title>The Uncoppable Lick
(From “You Can Call Me Al” by...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/162631591/tumblr_kocs9ujBEd1qzde3y&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;The Uncoppable Lick&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(From “You Can Call Me Al” by Paul Simon)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Strange coincidence: at least three people lived a significant portion of their adolecence with Paul Simon’s &lt;i&gt;Graceland&lt;/i&gt; wedged inextricably in the family car’s cassette deck:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://stoppodcastingyourself.blogspot.com/2009/07/episode-73-becky-johnson.html"&gt;Graham Clark&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://stoppodcastingyourself.blogspot.com/2009/07/episode-73-becky-johnson.html"&gt;Becky Johnson&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Scott Simpson&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;They know these two measures all too well.&lt;/p&gt;
&lt;p&gt;From &lt;i&gt;&lt;a href="http://www.amazon.com/Bass-Player-Presents-Fretless/dp/0879309253"&gt;The Fretless Bass&lt;/a&gt;&lt;/i&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Three minutes and forty-four seconds into &lt;i&gt;Graceland&lt;/i&gt;’s sixth cut is a two-bar bass break that has confounded as many bassists as it has inspired. “That was my idea,” says Bakithi of the wildly descending lick in the first bar. “We were recording that song on my birthday, and there was a space to fill, so Paul said, ‘Go ahead Bakithi. Do what you like.’ I just played—and they loved it. It was one take. Listening back, I didn’t know what happened; I thought it was from God, you know? I never planned it.’&lt;/p&gt;
&lt;p&gt;Now for the tricky part: the second bar of the solo is actually the first part played backwards. Engineer Roy Halee simply flipped the tape over and spliced the two parts together. “People have tried to cop those licks,” shrugs Simon, “but it’s physically impossible.” So the next time your band covers “You Can Call Me Al,” forget about trying to duplicate Bakithi’s mutant solo and take a tip from Paul: just do what you like.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If you are a child or a cretin, it’s possible that you may never have seen the song’s &lt;a href="http://www.youtube.com/watch?v=ULjCSK0oOlI"&gt;video&lt;/a&gt;, a testament to understated delight.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.06&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/162631591</link><guid>http://songparts.biz/post/162631591</guid><pubDate>Fri, 14 Aug 2009 02:20:00 -0400</pubDate></item><item><title>Climaxing in a Garden of Birds
(from Minnie Ripperton’s...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/162470084/3N4YeDaDjqtx7i3bAvH0g7GN&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Climaxing in a Garden of Birds&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(from Minnie Ripperton’s “Loving You”)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;The pipes on her. I mean, really.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/climaxingminnie.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.05&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Submitted to the SongParts Moods Collection by the &lt;a href="http://billyd.net/"&gt;Private Estate of Billy Disney&lt;/a&gt;.&lt;/p&gt;</description><link>http://songparts.biz/post/162470084</link><guid>http://songparts.biz/post/162470084</guid><pubDate>Thu, 13 Aug 2009 22:00:00 -0400</pubDate></item><item><title>And Electro-synthe-magnetic Musical Sounds
(Robot Lincoln Chorus...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/161821122/3N4YeDaDjr2kf1q0LFYEmkBk&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;And Electro-synthe-magnetic Musical Sounds&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(Robot Lincoln Chorus from Disneyland’s &lt;a href="http://metricbuttload.com/songparts/MainStreetElectricalParade.mp3"&gt;“Main Street Electrical Parade”&lt;/a&gt;)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;In science, that tone you hear underlying the whole of this delicious intro is what scientists call the “brown note” because if you’re a child and you hear that sound, you’re about to shit your pants with glee, as at this moment, you are in the happiest place you will ever be. At the end of this SongPart, pay special attention to the tone transposing up 18 octaves to the “yellow note” during which happy children pee themselves with happiness pee.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/mainstreetintrowhole.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.33&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/161821122</link><guid>http://songparts.biz/post/161821122</guid><pubDate>Thu, 13 Aug 2009 00:59:00 -0400</pubDate></item><item><title>My Heart Goin’ Boom Ba-da Boom Ba-da Boom Ba-da
(Where...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/160865778/3N4YeDaDjr0ue0zbljR8dcm5&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;My Heart Goin’ Boom Ba-da Boom Ba-da Boom Ba-da&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(Where Peter Gabriel makes your heart swell on “Solsbury Hill”)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Sure this SongPart and its 7/4 time signature have been around since 1977, but for those of us who don’t care about things that existed before 2006, it’s inextricably linked to a &lt;a href="http://www.youtube.com/watch?v=sfout_rgPSA"&gt;funny fake trailer&lt;/a&gt; for a Kubrick movie. LOL.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/shining.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.07&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Culled from the priceless TuneBits Library of curator &lt;a href="http://www.delicatecondition.com/"&gt;Jodi Faye Bullock&lt;/a&gt;.&lt;/p&gt;</description><link>http://songparts.biz/post/160865778</link><guid>http://songparts.biz/post/160865778</guid><pubDate>Tue, 11 Aug 2009 20:02:00 -0400</pubDate></item><item><title>The Goddamn Girl is Paul’s
(Paul and Michael songfight at...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/160849535/3N4YeDaDjr0tbx88wBpcXLL6&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;The Goddamn Girl is Paul’s&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(Paul and Michael songfight at the end of “The Girl is Mine”)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;We at SongParts like to believe that there exist no less than four hours of tape of Paul and Michael riffing on the “you stole my girl but let’s not let it come between us” premise and that these eight bars were the prime cut of the improv sesh. Because somehow, when Michael tells Paul gigglingly that he’s a lover, not a fighter, &lt;i&gt;we believe it&lt;/i&gt;.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/thegoddamngirlismine.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $1.00&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Lovingly handpicked from the CD case of &lt;a href="http://stoppodcastingyourself.blogspot.com/"&gt;Dave Shumka&lt;/a&gt;.&lt;/p&gt;</description><link>http://songparts.biz/post/160849535</link><guid>http://songparts.biz/post/160849535</guid><pubDate>Tue, 11 Aug 2009 19:33:00 -0400</pubDate></item><item><title>Sneak Peek
A free sample (the tiny spoon is yours to keep) from...</title><description>&lt;img src="http://26.media.tumblr.com/3N4YeDaDjqu2pna3617D97Jlo1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Sneak Peek&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;A free sample (the tiny spoon is yours to keep) from our forthcoming sister site, &lt;a href="http://songparts.biz/"&gt;FilmParts.tv&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Thanks for the idea, &lt;a href="http://dwineman.tumblr.com/"&gt;Dan Wineman&lt;/a&gt;. You get 5% of the net box stub receipt grosses.&lt;/p&gt;</description><link>http://songparts.biz/post/160756836</link><guid>http://songparts.biz/post/160756836</guid><pubDate>Tue, 11 Aug 2009 16:45:00 -0400</pubDate></item><item><title>For the Love of God, Someone Please Tell Axl Where We Go...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/160601167/3N4YeDaDjqztdhl1ehoYOmOf&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;For the Love of God, Someone Please Tell Axl Where We Go Now&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(The stinky pits breakdown from Guns N’ Roses “Sweet Child O’ Mine”)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;If you’re a drummer, you may recognize at least six different LP (Latin Percussion) blocks put to use by Steven Adler for this SongPart, amid Slash’s “noodling” and Izzy Stradlin’s “heroin use”.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/wheredowego.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.15&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/160601167</link><guid>http://songparts.biz/post/160601167</guid><pubDate>Tue, 11 Aug 2009 12:23:00 -0400</pubDate></item><item><title>This Is What We Trained For
(From “One” by...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/160253213/3N4YeDaDjqzms1e2tWEBjKLd&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;This Is What We Trained For&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(From “One” by Metallica)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;&lt;img border="1" align="middle" src="http://odds.lazyjudo.net/images/notes.jpg" width="500" height="157"/&gt;&lt;/p&gt;
&lt;p&gt;Set your anger watch to these precisely timed bouts of rage. It’s a good thing there have already been so many wars—we get the feeling that if wars didn’t exist, Metallica would start one, just to have something to be so goshdarned angry about.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.13&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/160253213</link><guid>http://songparts.biz/post/160253213</guid><pubDate>Mon, 10 Aug 2009 23:41:00 -0400</pubDate></item><item><title>The Sound of One Synth Clapping
(John Cougar has a little ditty...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/157806971/3N4YeDaDjqtr44on5NxX0ILw&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;The Sound of One Synth Clapping&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(John Cougar has a little ditty ‘bout “Jack and Diane”)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Can you pump your fist and clap your hands at the same time? You’re gonna need to once you step into this baby. Let that medium-length hair down, it’s gonna be a crazy wait does he say “suckin’ on chili dog”? What the hell, John Cougar?&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.07&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Available to SongParts exclusively on loan from the estate of &lt;a href="http://toeingtheline.tumblr.com"&gt;Stephen Klinck&lt;/a&gt;.&lt;/p&gt;</description><link>http://songparts.biz/post/157806971</link><guid>http://songparts.biz/post/157806971</guid><pubDate>Fri, 07 Aug 2009 05:17:00 -0400</pubDate></item><item><title>“German 201: Hospitality Words”
(From “Rock of...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/157766636/3N4YeDaDjqtu1oplzGB6tBC4&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;“German 201: Hospitality Words”&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(From “Rock of Ages” by Def Leppard)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Any student of The World’s Seventeenth Best Language* knows that to repeat this phrase on a German’s doorstep obliges them to take you in, feed you porridge, and (if necessary) grease your bicycle chain. And (if necessary) “grease your bicycle chain.”&lt;/p&gt;
&lt;p&gt;Thanks to Leppologist &lt;a href="http://jasonpermenter.com/"&gt;Jason Permenter&lt;/a&gt; for buffing this one up.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;&lt;b&gt;Price: €.14 (+€.05 VAT)&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;* &lt;i&gt;from&lt;/i&gt; “An Accidental Survey of 114 Home Depot Customers”: 2003&lt;/p&gt;</description><link>http://songparts.biz/post/157766636</link><guid>http://songparts.biz/post/157766636</guid><pubDate>Fri, 07 Aug 2009 03:34:00 -0400</pubDate></item><item><title>Oh Christ Here it Comes
(The “Ooh Wahahaha” break...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/157513409/3N4YeDaDjqtpklnotY7V2cmr&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Oh Christ Here it Comes&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(The “Ooh Wahahaha” break from Disturbed’s “Down with the Sickness”)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;When you hear this SongPart, cover your nuts—it’s about to get explodey in here.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/oohwahahahaha.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.05&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;From &lt;a href="http://twitter.com/omgshane/status/3170956043"&gt;Shane Adams&lt;/a&gt;’ exclusive Hate Screamo Library.&lt;/p&gt;</description><link>http://songparts.biz/post/157513409</link><guid>http://songparts.biz/post/157513409</guid><pubDate>Thu, 06 Aug 2009 20:18:00 -0400</pubDate></item><item><title>Spicy Mustard
(The dripping hot synth lick from Snoop’s...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/157508692/3N4YeDaDjqtp6q9t7rAW3EQf&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Spicy Mustard&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(The dripping hot synth lick from Snoop’s “Drop it Like it’s Hot”)&lt;/i&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/dropthespicymustard.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Related products in the SongParts catalog: &lt;i&gt;Slide Whistle&lt;/i&gt; and &lt;i&gt;Bing! Popcorn’s Done&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.10&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/157508692</link><guid>http://songparts.biz/post/157508692</guid><pubDate>Thu, 06 Aug 2009 20:09:00 -0400</pubDate></item><item><title>Dave’s Barbaric Yawp
(DLR goes for it at the beginning of...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/157494652/3N4YeDaDjqtofdl4Wh3RFCcH&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Dave’s Barbaric Yawp&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(DLR goes for it at the beginning of Van Halen’s “Runnin’ with the Devil.”)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;Our customers have found a number of uses for this item:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Car alarm&lt;/li&gt;
&lt;li&gt;Mosquito repellant&lt;/li&gt;
&lt;li&gt;Enhanced interrogation aid&lt;/li&gt;
&lt;li&gt;Stool softener&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;The fine folks at &lt;a href="http://www.chunklet.com/index.cfm?section=blogs&amp;ID=313"&gt;Chunklet&lt;/a&gt; have made the &lt;a href="http://www.chunklet.com/index.cfm?section=blogs&amp;ID=313"&gt;entire isolated vocal track&lt;/a&gt; available as an MP3.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;&lt;b&gt;Price: $.12&lt;/b&gt;&lt;/i&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/157494652</link><guid>http://songparts.biz/post/157494652</guid><pubDate>Thu, 06 Aug 2009 19:41:00 -0400</pubDate></item><item><title>Blewp blewp Blewmp
(The best 3 beats of Tears for Fears...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/157430634/3N4YeDaDjqt4lqra2lcV8zVO&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Blewp blewp Blewmp&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(The best 3 beats of Tears for Fears “Mad World” intro)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;If Atari Pitfall were adapted into a feature film (which it almost certainly will be), this SongPart would be the love theme. Buy now before it it’s too expensive.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.04&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;From the private and very specific collection of &lt;a href="http://shoesandsocks.tumblr.com/"&gt;Richard Brown&lt;/a&gt;.&lt;/p&gt;</description><link>http://songparts.biz/post/157430634</link><guid>http://songparts.biz/post/157430634</guid><pubDate>Thu, 06 Aug 2009 17:46:00 -0400</pubDate></item><item><title>The Really Bachy Part
(From ”Joy” by Apollo 100)
You...</title><description>&lt;embed type="application/x-shockwave-flash" src="http://songparts.biz/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/156963471/3N4YeDaDjqsm5z6xBwFccaSO&amp;color=FFFFFF" height="27" width="207" quality="best"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;The Really Bachy Part&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;i&gt;(From ”Joy” by Apollo 100)&lt;/i&gt;&lt;/p&gt;
&lt;p&gt;You know, the organy part at the beginning where it really rocks out. I think it’s from that movie about the porny guy with the big thing.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://metricbuttload.com/songparts/Joy_bit.mp3"&gt;MP3&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;b&gt;&lt;i&gt;Price: $.09&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;</description><link>http://songparts.biz/post/156963471</link><guid>http://songparts.biz/post/156963471</guid><pubDate>Thu, 06 Aug 2009 01:50:24 -0400</pubDate></item></channel></rss>
